Noise: The Political Economy of Music
of Jacques Attali, Brian Massumi (Translator)
Description
“Noise is a model of cultural historiography. . . . In its general theoretical argument on the relations of culture to economy, but also in its specialized concentration, Noise has much that is of importance to critical theory today.” SubStance“For Attali, music is not simply a reflection of culture, but a harbinger of change, an anticipatory abstraction of the shape of things to come. The book’s title refers specifically to the reception of musics that sonically rival normative social orders. Noise is Attali’s metaphor for a broad, historical vanguardism, for the radical soundscapes of the western continuum that express structurally the course of social development.” EthnomusicologyJacques Attali is the author of numerous books, including Millennium: Winners and Losers in the Coming World Order and Labyrinth in Culture and Society.
Gender
Main Characters
Book Details
- Format Paperback
- Pages 196 pages
- Publisher Univ Of Minnesota Press
- Publication Date June 30th 1985
- First Publication 02/24/77
- Language English
- ISBN 9780816612871
- Edition (Theory and History of Literature, Vol 16)
- Category Arts & Culture
- Scenario []
Rate this work
🔒 Log in to evaluate this book.
Share your opinion with other readers. Your feedback is very important!
AI-Powered Recommendations
Based on your reading of "Noise: The Political Economy of Music", our dual AI algorithms suggest these titles. ⚡ FAISS Baseline 🧠 PyTorch Enhanced
Top Picks For You
🎯 Smart SelectionWhat to Listen for in Music
by Aaron Copland, Alan Rich (Foreword and Epilogue), William Schuman (Introduction)
Myth and Meaning: Cracking the Code of Culture
by Claude Lévi-Strauss
How do we choose these recommendations?
Similar Style Recommendations
Books with similar themes, authors, and writing styles to what you're reading now.
Smart AI Matches
Our advanced AI finds books you might love based on deeper patterns and reader preferences.
FAISS Baseline
Fast & ReliableWhat to Listen for in Music
Aaron Copland, Alan Rich (Foreword and Epilogue), William Schuman (Introduction)